Thief in the Interior
100 pages
|Published: 12 Jan 2016
|Editions
|Details
This edition
ISBN: 9781938584176
Format: Paperback
Language: English
Publisher: Alice James Books
Publication date: 12 January 2016
Description
"This gorgeous debut is a 'debut' in chronology only. . . . Need is everywhere—in the unforgiving images, in lines so delicate they seem to break apart in the hands, and in the reader who will enter these poems and never want to leave."—Adrian Matejka
Phillip B. Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crack open dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore one's ability to harm and be harmed, which uniquely juxtaposes the capacity to revel in both experiences.
"Epithalamium":
A kiss. Train ride home from a late dinner,
City Hall and document signing. Wasn't cold
but we cuddled in an empty car, legal.
Last month a couple of guys left a gay bar
and were beaten with poles on the way
to their car. No one called them faggot
so no hate crime's documented. A beat down
is what some pray for, a pulse left to count.
We knew we weren't protected. We knew
our rings were party favors, gold to steal
the shine from. We couldn't protect us,
knew the law wouldn't know how. Still, his
beard across my brow, the burn of his cologne.
When the train stopped, the people came on.
Phillip B. Williams has authored two chapbooks: Bruised Gospels (Arts in Bloom Inc.) and Burn (YesYes Books). A Cave Canem graduate, he received scholarships from Bread Loaf Writers Conference and a Ruth Lilly Fellowship. His work appeared or is forthcoming in Callaloo, Poetry, the Southern Review, West Branch , and others. Phillip received his MFA in Writing as a Chancellor's Graduate Fellow at the Washington University in St. Louis. He is the poetry editor of Vinyl Poetry.
Phillip B. Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crack open dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore one's ability to harm and be harmed, which uniquely juxtaposes the capacity to revel in both experiences.
"Epithalamium":
A kiss. Train ride home from a late dinner,
City Hall and document signing. Wasn't cold
but we cuddled in an empty car, legal.
Last month a couple of guys left a gay bar
and were beaten with poles on the way
to their car. No one called them faggot
so no hate crime's documented. A beat down
is what some pray for, a pulse left to count.
We knew we weren't protected. We knew
our rings were party favors, gold to steal
the shine from. We couldn't protect us,
knew the law wouldn't know how. Still, his
beard across my brow, the burn of his cologne.
When the train stopped, the people came on.
Phillip B. Williams has authored two chapbooks: Bruised Gospels (Arts in Bloom Inc.) and Burn (YesYes Books). A Cave Canem graduate, he received scholarships from Bread Loaf Writers Conference and a Ruth Lilly Fellowship. His work appeared or is forthcoming in Callaloo, Poetry, the Southern Review, West Branch , and others. Phillip received his MFA in Writing as a Chancellor's Graduate Fellow at the Washington University in St. Louis. He is the poetry editor of Vinyl Poetry.
