At the End of the World

A NEW NOVEL IN JOHN RINGO'S BEST-SELLING BLACK TIDE RISING SERIES BY NEBULA- AND DRAGON AWARD–NOMINATED AUTHOR CHARLES E. GANNONCASTAWAYS IN A ZOMBIE PLAGUE Six kids ranging from suburban geeks to street-smart pariahs. A British captain who rarely talks and never smiles. All on the 70-foot pilot house ketch Crosscurrent Voyager, bound on a senior summer cruise to adventure and serious fun. Except most of the kids don’t get along. And they’ll be gone all summer. And none of them have sailed before. And worst of all—because they booked at the last minute—they got the destination nobody else wanted: the frigid and remote South Georgia Islands. But there’s one other hitch: They’ll never see their families or friends again. Because just days after they leave, a plague starts spreading like wildfire, turning most of its survivors into shrieking, cannibalistic rage-monsters. So with their past dying as fast as the world that shaped it, the kids’ hated destination becomes their one hope for survival. But it’s an uncertain hope. Not only are other hostile survivors headed there, but South Georgia Island is unable to support permanent habitation. So if the strange crew of the Voyager doesn’t come up with a further plan, they are—in every sense—heading straight toward the end of the world.   About Charles E. Gannon: "Chuck Gannon writes the kind of science fiction we all grew up on: rousing, mind-expanding, pulse-pounding sagas of spaceships and aliens.  He's a terrific writer, and we're lucky to have him."—Robert J. Sawyer "[A] strong [writer of] . . . military SF . . . [much] action going on in his work, with a lot of physics behind it. There is a real sense of the urgency of war and the sacrifices it demands." —Locus About the Black Tide Rising series: “Not only has Ringo found a mostly unexplored corner of the zombie landscape, he's using the zombie frame to tackle a broader theme: the collapse and rebirth of civilization. The zombie scenes are exciting, sure, but its the human story that keeps us involved. A fine series.”—Booklist “Ringo combines humor and horror in this strong series debut, the thinking reader’s zombie novel.”—Publishers Weekly on Under a Graveyard Sky About the work of Charles E. Gannon: Caine's Mutiny: “This is military Science Fiction the way it’s supposed to be written. . . . All in all, a highly satisfying tale of the Terran Republic that moves the story forward and sets us up for the next chapter, which promises to be interesting at worst and explosive at best.”—SFcrowsnest Raising Caine: “Raising Caine unveils a lot of thought-provoking ideas but ultimately this is a space opera adventure. There are space battles, daring emergency landings, desperate quests, hand-to-hand combat, and double-and-triple crosses. It’s an engrossing read. You owe it to yourself to read the two previous books in order. Then enjoy Raising Caine. It’s an intergalactic thrill-ride.”—Fantasy and Science Ficton Book and Audiobook Reviews “This is science-fiction adventure on a grand scale.”—Kirkus “Gannon’s harrowing . . . military space opera (following Trial by Fire) builds well on his established setting . . . Gannon’s signature attention to developing realistic alien worlds makes this installment satisfying.”—Publishers Weekly “[A]n incredibly active book . . . as our protagonists are confronted by the beautiful, terrible, and sometimes lethal variety of the universe and its inhabitants. . . . a whole mess of fun . . . that manages to be scientifically accurate while refraining from excessive wonkiness. Those who value meticulous world-building . . . will certainly have their needs met.”—BN Sci-Fi and Fantasy Blog Nebula-nominated Trial by Fire: “I seriously enjoyed Trial by Fire. This one’s a tidal wave—can’t put it down. An excellent book.” —Jack McDevitt “Gannon's whiz-bang second Tales of the Terran Republic interstellar adventure delivers on the promise of the first (Fire with Fire). . . . The charm of Caine's harrowing adventure lies in Gannon's attention to detail, which keeps the layers of political intrigue and military action from getting too dense. The dozens of key characters, multiple theaters of operations, and various alien cultures all receive the appropriate amount of attention. The satisfying resolution is enhanced by the promise of more excitement to come in this fascinating far-future universe.”—Publishers Weekly Starred Review “[D]efinitely one to appeal to the adventure fans. Riordan is a smart hero, up against enormous obstacles and surrounded by enemies. Author Gannon does a good job of managing action and tension to keep the story moving, and the details of the worlds Riordan visits are interesting in their own right.”—Analog “[O]ffers the type of hard science-fiction those familiar with the John Campbell era of Analog Science Fiction will remember. Gannon throws his readers into an action-packed adventure. A sequel to Fire With Fire, it is a nonstop tale filled with military science-fiction action.”—The Galveston County Daily News Compton Crook Award winner for best first novel, Fire with Fire: “Chuck Gannon is one of those marvelous finds—someone as comfortable with characters as he is with technology, and equally adept at providing those characters with problems to solve. Imaginative, fun, and not afraid to step on the occasional toe or gore the occasional sacred cow, his stories do not disappoint.”—David Weber “If we meet strong aliens out there, will we suffer the fate of the Aztecs and Incas, or find the agility to survive? Gannon fizzes with ideas about the dangerous politics of first contact.”—David Brin “The plot is intriguing and then some. Well-developed and self-consistent; intelligent readers are going to like it.”—Jerry Pournelle “[T]he intersecting plot threads, action and well-conceived science kept those pages turning.”—SFcrowsnest Starfire series hit Extremis, coauthored by Charles E. Gannon: “Vivid . . . Battle sequences mingle with thought-provoking exegesis . . . ”—Publishers Weekly “It’s a grand, fun series of battles and campaigns, worthy of anything Dale Brown or Larry Bond ever wrote.” —Analog